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Cited article:

Thresholds of vision: operative images and film corporealities in Eléonore Weber’s Il n’y aura plus de nuit and Verena Paravel and Lucien Castaing-Taylor’s De Humani Corporis Fabrica

Martine Beugnet
Contemporary French Civilization 50 (3) 315 (2025)
https://doi.org/10.3828/cfc.2025.18